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Rise and Fall of the City of Maha­gonny

Kurt Weill
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Rise and Fall of the City of Mahagonny is regarded as one of the most radical works of twentieth-century music theatre, with librettist Bertolt Brecht and composer Kurt Weill not only exposing the pitfalls of societal life, but also questioning the very genre of opera itself. Musically, Weill bridges the gap between opera and the popular music of his time. In Barrie Kosky’s production, the city of Mahagonny becomes a kaleidoscope of human shortcomings.

In the heart of the desert, three fugitive criminals establish the city of Mahagonny. This ‘paradise city’ has its own rules for living life, fueled by the wealth of men passing through from the Gold Coast. Eating, loving, boxing, and drinking are the order of the day. However, this idyllic utopia soon begins to falter, as natural disasters, excesses, violence, and corruption push the city to its breaking point.
Act 1

On the run from the police, the widow Leokadja Begbick founds the city of Mahagonny together with Trinity Moses and Fatty the »Bookkeeper«. With cheap booze, women and the promise of an idyllic life, this »new paradise« is supposed to attract workers from the Gold Coast, bringing a steady flow of cash into the coffers of the trio. To begin with, the idea is a hit, and Mahagonny grows rapidly. Jim Mahoney, Jack O’Brien, Joe and Bill, four lumberjacks from Alaska, are among the new arrivals. As soon as they arrive, Begbick sends the men to the brothel, where Jim picks out Jenny.
Opera in three acts [1930]

Libretto by Bertolt Brecht
In the repertoire since October 2, 2021

Recommended from grade 9
German
3hr incl. intermission

Next dates and cast

Schillertheater – Großer Saal

Bismarckstraße 110
10625 Berlin
Sat
6. Dec 2025
19:30
Revival
Tue
9. Dec 2025
19:00
Sat
13. Dec 2025
19:00
Sun
28. Dec 2025
18:00
Sun
4. Jan 2026
18:00
Last Chance