A performer with a white-painted face stands in front of a projection of a red-dotted, tooth-studded maw
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Three performers in front of a projection of an antique pendulum clock
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Papageno is caught by a large spider. Depicted in comic style.
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Papageno, from The Magic Flute, in front of a projection of dense fog, above him three boys from Tölz, framed by an illustration of butterflies
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An hommage to the power of images and music

The Magic Flute

Wolfgang Amadeus Mozart
From Buenos Aires to Chicago, from Helsinki to Tokyo, and from Auckland to Shanghai: Barrie Kosky’s production of The Magic Flute has delighted audiences around the world and can, without exaggeration, be called the ultimate export hit of the Komische Oper Berlin. After a two-year absence, Kosky’s Magic Flute is finally back on stage in Berlin.

Its unmistakable charm comes from the artistry of the British theatre company 1927, with whose animations Tamino, Pamina, Papageno, and the Queen of the Night interact so seamlessly that the images themselves appear part of the real environment. The result is a Magic Flute with fantastical dragons, pink elephants, dancing constellations, and flying butterfly boys in a magical road movie on the way to true love. It’s a living picture book offering a ‘delightfully absurd blend of silent and animated film’. [BERLINER MORGENPOST]
Act One

In a dark forest, far away …
As he flees from a dangerous giant serpent, Tamino is rescued at the last second by the three ladies who serve the Queen of the Night. When he regains consciousness, the first thing Tamino sees is Papageno, and he believes him to be his rescuer.
Grand opera in two acts [1791]
Libretto by Emanuel Schikaneder
Part of the repertoire since 25 November 2012
A co-production with the Deutsche Oper am Rhein
Recommended from grade 5
German
2 hr 45 min incl. intermission
30 minutes before each performance there is an introduction to the play in the foyer (except before premieres, children's operas, concert performances, New Year's Eve and special events)