A symphonic journey from Rome to La Mancha
Dreams of the hero
Symphony Concert
Richard Strauss [1864–1949]
Don Quixote: Fantastic Variations on a Theme of Knightly Character for Large Orchestra, Op. 35
Claude Debussy [1862–1918]
Prélude à l’après-midi d’un faune
Ottorino Respighi [1879–1936]
Pines of Rome: Symphonic Poem in Four Movements
Richard Strauss had a deep admiration for Don Quixote—a man who hurls himself into every challenge, obstacle, and peril, without ever achieving a final victory. It’s this ‘knightly character’ that Strauss celebrates in his Fantastic Variations from 1897.While Don Quixote longs for a life as a hero, Debussy's Prélude à l'après-midi d'un faune takes us on a sensual journey - this time it is the dreaming faun who is the focus of the symphonic poem. Meanwhile, Ottorino Respighi’s Pini di Roma (1924) offers a sonic tour through the Eternal City, from the Villa Borghese to the Via Appia, always in view of the city’s towering marvels: its pine trees, which weave an evergreen thread through the ancient metropolis. James Gaffigan brings together three fantastic concert works contrasting highly diverse styles, with Strauss crossing the boundaries into modernity and Respighi already channelling in 1924 the future mode of film music. An exhilarating evening awaits!
Don Quixote: Fantastic Variations on a Theme of Knightly Character for Large Orchestra, Op. 35
Claude Debussy [1862–1918]
Prélude à l’après-midi d’un faune
Ottorino Respighi [1879–1936]
Pines of Rome: Symphonic Poem in Four Movements
Richard Strauss had a deep admiration for Don Quixote—a man who hurls himself into every challenge, obstacle, and peril, without ever achieving a final victory. It’s this ‘knightly character’ that Strauss celebrates in his Fantastic Variations from 1897.While Don Quixote longs for a life as a hero, Debussy's Prélude à l'après-midi d'un faune takes us on a sensual journey - this time it is the dreaming faun who is the focus of the symphonic poem. Meanwhile, Ottorino Respighi’s Pini di Roma (1924) offers a sonic tour through the Eternal City, from the Villa Borghese to the Via Appia, always in view of the city’s towering marvels: its pine trees, which weave an evergreen thread through the ancient metropolis. James Gaffigan brings together three fantastic concert works contrasting highly diverse styles, with Strauss crossing the boundaries into modernity and Respighi already channelling in 1924 the future mode of film music. An exhilarating evening awaits!
45 min before performance, in the Beethoven-Saal
Musikalische Leitung