M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 31 | 1 | 2 | 3 | 4 |
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
29 | 30 | 31 | 1 | 2 | 3 | 4 |
5 | 6 | 7 | 8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 | 25 |
26 | 27 | 28 | 29 | 30 | 1 | 2 |
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
26 | 27 | 28 | 29 | 30 | 1 | 2 |
3 | 4 | 5 | 6 | 7 | 8 | 9 |
10 | 11 | 12 | 13 | 14 | 15 | 16 |
17 | 18 | 19 | 20 | 21 | 22 | 23 |
24 | 25 | 26 | 27 | 28 | 29 | 30 |
31 | 1 | 2 | 3 | 4 | 5 | 6 |
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
28 | 29 | 30 | 1 | 2 | 3 | 4 |
5 | 6 | 7 | 8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 | 25 |
26 | 27 | 28 | 29 | 30 | 31 | 1 |
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
26 | 27 | 28 | 29 | 30 | 31 | 1 |
2 | 3 | 4 | 5 | 6 | 7 | 8 |
9 | 10 | 11 | 12 | 13 | 14 | 15 |
16 | 17 | 18 | 19 | 20 | 21 | 22 |
23 | 24 | 25 | 26 | 27 | 28 | 29 |
30 | 31 | 1 | 2 | 3 | 4 | 5 |
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
27 | 28 | 1 | 2 | 3 | 4 | 5 |
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 31 | 1 | 2 |
September 2022
19:00
Intolleranza 1960
Premiere

Great political Music Theatre! Composer Luigi Nono’s belief in the power of art was great, and worth examining—especially in our times. An encouragement to raise our voices against that which we do not want to put up with.
19:00
Intolleranza 1960

Great political Music Theatre! Composer Luigi Nono’s belief in the power of art was great, and worth examining—especially in our times. An encouragement to raise our voices against that which we do not want to put up with.
19:00
Intolleranza 1960

Great political Music Theatre! Composer Luigi Nono’s belief in the power of art was great, and worth examining—especially in our times. An encouragement to raise our voices against that which we do not want to put up with.
19:00
Intolleranza 1960

Great political Music Theatre! Composer Luigi Nono’s belief in the power of art was great, and worth examining—especially in our times. An encouragement to raise our voices against that which we do not want to put up with.
October 2022
19:00
Intolleranza 1960

Great political Music Theatre! Composer Luigi Nono’s belief in the power of art was great, and worth examining—especially in our times. An encouragement to raise our voices against that which we do not want to put up with.
16:00
Intolleranza 1960
Last time this season!

Great political Music Theatre! Composer Luigi Nono’s belief in the power of art was great, and worth examining—especially in our times. An encouragement to raise our voices against that which we do not want to put up with.
18:00
Falstaff
Revival

Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
19:30
Falstaff

Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
18:00
Falstaff

Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
19:30
Rise and Fall of the City of Mahagonny
Revival

One of the most radical and well-known musical theatre works of the 20th century returns to the stage of the Komische Oper Berlin in a new production by Barrie Kosky, under the musical direction of General Music Director Ainārs Rubiķis—with star tenor Allan Clayton as Jim Mahoney, and audience favourite Nadja Mchantaf as Jenny Hill.
16:00
Falstaff

Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
19:30
Falstaff

Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
19:00
Rise and Fall of the City of Mahagonny

One of the most radical and well-known musical theatre works of the 20th century returns to the stage of the Komische Oper Berlin in a new production by Barrie Kosky, under the musical direction of General Music Director Ainārs Rubiķis—with star tenor Allan Clayton as Jim Mahoney, and audience favourite Nadja Mchantaf as Jenny Hill.