| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 26 | 27 | 28 | 29 | 30 | 31 | 1 |
| 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 31 | 1 | 2 | 3 | 4 | 5 |
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 30 | 31 | 1 | 2 | 3 | 4 | 5 |
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 1 | 2 | 3 |
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 27 | 28 | 29 | 30 | 1 | 2 | 3 |
| 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| 11 | 12 | 13 | 14 | 15 | 16 | 17 |
| 18 | 19 | 20 | 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 | 29 | 30 | 31 |
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 29 | 30 | 1 | 2 | 3 | 4 | 5 |
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 31 | 1 | 2 |
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 27 | 28 | 29 | 30 | 31 | 1 | 2 |
| 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 |
| 17 | 18 | 19 | 20 | 21 | 22 | 23 |
| 24 | 25 | 26 | 27 | 28 | 29 | 30 |
| 31 | 1 | 2 | 3 | 4 | 5 | 6 |
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 28 | 1 | 2 | 3 | 4 | 5 | 6 |
| 7 | 8 | 9 | 10 | 11 | 12 | 13 |
| 14 | 15 | 16 | 17 | 18 | 19 | 20 |
| 21 | 22 | 23 | 24 | 25 | 26 | 27 |
| 28 | 29 | 30 | 31 | 1 | 2 | 3 |
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 28 | 29 | 30 | 31 | 1 | 2 | 3 |
| 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| 11 | 12 | 13 | 14 | 15 | 16 | 17 |
| 18 | 19 | 20 | 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 | 29 | 30 | 1 |
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 25 | 26 | 27 | 28 | 29 | 30 | 1 |
| 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 31 | 1 | 2 | 3 | 4 | 5 |
June 2022
19:30
The »Gipsy« Baron
Seventy years after Walter Felsenstein's production of The Gypsy Baron, (the single production of this work in the history of the Komische Oper Berlin), director Tobias Kratzer, celebrated for his production of Tannhauser in Bayreuth, stages one of Strauss’s most famous operettas as a parable of the conflicts of today’s multicultural society. With Stefan Soltesz at the podium, he’ll be supported by an expert in the domain of Viennese operetta.
19:30
La Belle Hélène
At the court of Sparta, Helena, known as the most beautiful woman in the world, is thoroughly bored at the side of her husband, King Menelaus, when suddenly a mysterious – and damnably attractive – shepherd appears and injects plenty of life back into this dull society. What other choice does Helen, a loyal servant of Venus, ultimately have than to lustfully submit to her fate?
02:00
Whit Sunday
19:00
Falstaff
Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
02:00
Whit Monday
19:00
The Pearls of Cleopatra
Hallo, hier bin ick!! – National crisis for the Pharaoh-esse with the Berlin accent. Cleopatra’s got her hands full: drought, revolt at the palace, rebellions, and a shortage of men. When her mysterious pears come to the rescue, she’ll have the audience laughing until it hurts. »It’s pure joy to experience Manzel as the insulting female sovereign who has at least three temperaments: the power-conscious ruler, the wistful woman yearning for love, and the personality of her profusely drunken cat, Ingeborg. « [Der Tagesspiegel]
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
Premiere
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
Falstaff
Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
18:00
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
The »Gipsy« Baron
Seventy years after Walter Felsenstein's production of The Gypsy Baron, (the single production of this work in the history of the Komische Oper Berlin), director Tobias Kratzer, celebrated for his production of Tannhauser in Bayreuth, stages one of Strauss’s most famous operettas as a parable of the conflicts of today’s multicultural society. With Stefan Soltesz at the podium, he’ll be supported by an expert in the domain of Viennese operetta.
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
The Pearls of Cleopatra
Hallo, hier bin ick!! – National crisis for the Pharaoh-esse with the Berlin accent. Cleopatra’s got her hands full: drought, revolt at the palace, rebellions, and a shortage of men. When her mysterious pears come to the rescue, she’ll have the audience laughing until it hurts. »It’s pure joy to experience Manzel as the insulting female sovereign who has at least three temperaments: the power-conscious ruler, the wistful woman yearning for love, and the personality of her profusely drunken cat, Ingeborg. « [Der Tagesspiegel]
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:00
The Pearls of Cleopatra
Hallo, hier bin ick!! – National crisis for the Pharaoh-esse with the Berlin accent. Cleopatra’s got her hands full: drought, revolt at the palace, rebellions, and a shortage of men. When her mysterious pears come to the rescue, she’ll have the audience laughing until it hurts. »It’s pure joy to experience Manzel as the insulting female sovereign who has at least three temperaments: the power-conscious ruler, the wistful woman yearning for love, and the personality of her profusely drunken cat, Ingeborg. « [Der Tagesspiegel]
11:00
Michael Ende's »Jim Button and Luke the Engine Driver«
Micheal Ende’s world-famous children’s book will be transformed for the first time into a children’s opera! While adults might remember the television recordings from the Augsburger Puppenkiste marionette theatre, younger audience members will certainly think of the very popular live film version from 2018. After Snow White and the 77 Dwarves, composer Elena Kats-Chernin and librettist Susanne Felicitas Wolf devote their creative energies to the adventures of Jim Button, Luke and – last but not least! – the locomotive Emma.
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
The Pearls of Cleopatra
Hallo, hier bin ick!! – National crisis for the Pharaoh-esse with the Berlin accent. Cleopatra’s got her hands full: drought, revolt at the palace, rebellions, and a shortage of men. When her mysterious pears come to the rescue, she’ll have the audience laughing until it hurts. »It’s pure joy to experience Manzel as the insulting female sovereign who has at least three temperaments: the power-conscious ruler, the wistful woman yearning for love, and the personality of her profusely drunken cat, Ingeborg. « [Der Tagesspiegel]
19:30
Falstaff
Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
15:00
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
The »Gipsy« Baron
Seventy years after Walter Felsenstein's production of The Gypsy Baron, (the single production of this work in the history of the Komische Oper Berlin), director Tobias Kratzer, celebrated for his production of Tannhauser in Bayreuth, stages one of Strauss’s most famous operettas as a parable of the conflicts of today’s multicultural society. With Stefan Soltesz at the podium, he’ll be supported by an expert in the domain of Viennese operetta.