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June 2022
15:00
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
14:00
Führung für Familien
Visit the Backstage and the Front of House areas of Berlins smallest opera house as it prepares to open its doors for the evening performance. The Backstage tours include an introduction to the colourful history of the theatre, an insight into the recent re-development of the Komische Oper Berlin and a look at aspects of current productions. As the Komische Oper Berlin is a fully working theatre, each tour is a unique experience, and may include opportunities to see the magnificent backstage technology in operation.
16:00
Führung Spezial Orchester
Visit the Backstage and the Front of House areas of Berlins smallest opera house as it prepares to open its doors for the evening performance. The Backstage tours include an introduction to the colourful history of the theatre, an insight into the recent re-development of the Komische Oper Berlin and a look at aspects of current productions. As the Komische Oper Berlin is a fully working theatre, each tour is a unique experience, and may include opportunities to see the magnificent backstage technology in operation.
19:30
The »Gipsy« Baron
Last time this season!
Seventy years after Walter Felsenstein's production of The Gypsy Baron, (the single production of this work in the history of the Komische Oper Berlin), director Tobias Kratzer, celebrated for his production of Tannhauser in Bayreuth, stages one of Strauss’s most famous operettas as a parable of the conflicts of today’s multicultural society. With Stefan Soltesz at the podium, he’ll be supported by an expert in the domain of Viennese operetta.
July 2022
01
July –
10
July
July –
10
July
Komische
Oper
Festival
Oper
Festival
16:00
Guided Tour
Komische Oper Festival
Visit the Backstage and the Front of House areas of Berlins smallest opera house as it prepares to open its doors for the evening performance. The Backstage tours include an introduction to the colourful history of the theatre, an insight into the recent re-development of the Komische Oper Berlin and a look at aspects of current productions. As the Komische Oper Berlin is a fully working theatre, each tour is a unique experience, and may include opportunities to see the magnificent backstage technology in operation.
18:00
»Revolution, Spaß und Gleichnis – Mahagonny im Spiegel der Zeiten«
Einführungsvortrag
mit Maximilian Hagemeyer, Dramaturg
Komische Oper Festival
19:00
Rise and Fall of the City of Mahagonny
Komische Oper Festival
One of the most radical and well-known musical theatre works of the 20th century returns to the stage of the Komische Oper Berlin in a new production by Barrie Kosky, under the musical direction of General Music Director Ainārs Rubiķis—with star tenor Allan Clayton as Jim Mahoney, and audience favourite Nadja Mchantaf as Jenny Hill.
22:30
»Eine Oper über die Oper«
Gespräch
mit Allan Clayton (Jim Mahoney) und Jens Larsen (Dreieinigkeitsmoses); Moderation: Maximilian Hagemeyer
Komische Oper Festival
14:00
Führung Spezial Maske
Komische Oper Festival
Visit the Backstage and the Front of House areas of Berlins smallest opera house as it prepares to open its doors for the evening performance. The Backstage tours include an introduction to the colourful history of the theatre, an insight into the recent re-development of the Komische Oper Berlin and a look at aspects of current productions. As the Komische Oper Berlin is a fully working theatre, each tour is a unique experience, and may include opportunities to see the magnificent backstage technology in operation.
16:00
Guided Tour
Komische Oper Festival
Visit the Backstage and the Front of House areas of Berlins smallest opera house as it prepares to open its doors for the evening performance. The Backstage tours include an introduction to the colourful history of the theatre, an insight into the recent re-development of the Komische Oper Berlin and a look at aspects of current productions. As the Komische Oper Berlin is a fully working theatre, each tour is a unique experience, and may include opportunities to see the magnificent backstage technology in operation.
18:30
»Glik, du bist gekumen tsu mir – Aspekte des Jüdischen im Theater von Barrie Kosky«
Einführungsvortrag
mit Ulrich Lenz, Chefdramaturg
Komische Oper Festival
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
Komische Oper Festival
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
22:30
»Don’t let the Shmalts get in your eyes – Gefühle auf der Bühne«
Gespräch
mit Max Hopp und Alma Sadé; Moderation: Ulrich Lenz
Komische Oper Festival
18:00
»Trionfi Amore« – Gluck, Orfeo und das musikalische Drama der Aufklärung
Einführungsvortrag
mit Simon Berger, Dramaturg
Komische Oper Festival
19:00
Orfeo ed Euridice
(Orpheus and Eurydice)
Komische Oper Festival
»But soon we shall become song!« — Countertenor Carlo Vistoli in one of Opera's greatest, achingly beautiful and tragic love stories, in which the power of music overcomes death in the name of love. Italian star director Damiano Michieletto returns to the Komische Oper Berlin after his success with Jules Massenet's fairy-tale opera Cendrillon, with a classic of the repertoire.
20:45
»Che farò senza Euridice?«
Gespräch
mit Countertenor Carlo Vistoli und dem Dirigenten David Bates, Moderation: Simon Berger
Komische Oper Festival
18:30
»Wie sorglos war ich früher« – Janáček, Katja und die Tragödien der Moderne
Einführungsvortrag
mit Simon Berger, Dramaturg
Komische Oper Festival
19:30
Káťa Kabanová
(Káťa Kabanová)
Komische Oper Festival
Internationally renowned soprano Annette Dasch interprets Leoš Janáček's masterful, claustrophobic portrait of a young woman in revolt against her circumstances. At the conductor’s podium, a rising star leads the production: Lithuanian conductor Giedrė Šlekytė. Director Jetske Mijnssen is a welcome returnee as well, taking a fresh look at the tragedy of an extraordinary female figure.
21:15
»Was sollen wir nur mit Katerina machen?«
Gespräch
mit Sopranistin Annette Dasch, Dirigentin Giedrė Šlekytė und Regisseurin Jetske Mijnssen, Moderation: Simon Berger
Komische Oper Festival
18:30
»Glik, du bist gekumen tsu mir – Aspekte des Jüdischen im Theater von Barrie Kosky«
Einführungsvortrag
mit Ulrich Lenz, Chefdramaturg
Komische Oper Festival
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
Komische Oper Festival
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
22:30
»Makin’ Wicky-Wacky Down in Waikiki – Jüdischer Witz«
Gespräch
mit Barbara Spitz und Helene Schneiderman; Moderation: Ulrich Lenz
Komische Oper Festival
18:30
»Trionfi Amore« – Gluck, Orfeo und das musikalische Drama der Aufklärung
Einführungsvortrag
mit Simon Berger, Dramaturg
Komische Oper Festival
19:30
Orfeo ed Euridice
(Orpheus and Eurydice)
Komische Oper Festival
Last time this season!
»But soon we shall become song!« — Countertenor Carlo Vistoli in one of Opera's greatest, achingly beautiful and tragic love stories, in which the power of music overcomes death in the name of love. Italian star director Damiano Michieletto returns to the Komische Oper Berlin after his success with Jules Massenet's fairy-tale opera Cendrillon, with a classic of the repertoire.
21:15
»Che farò senza Euridice?«
Gespräch
mit Sopranistin Nadja Mchantaf und Technischem Direktor Daniel Kaiser, Moderation: Simon Berger
Komische Oper Festival
18:30
»Einmal Königreich, dann Hölle und zurück, bitte! – Weinberger, Schwanda und das 20. Jahrhundert«
Einführungsvortrag
mit Simon Berger, Dramaturg
Komische Oper Festival
19:30
Schwanda the Bagpiper
Švanda dudák
Komische Oper Festival
Last time this season!
To the Royal Throne, then to Hell and back, please!—Jaromír Weinberger's Schwanda, the Bagpiper, which premiered in Prague in 1927, was a sensational success, performed thousands of times across Europe and the USA until 1933. After the global success of the musical My Fair Lady, Andreas Homoki stages the late romantic musical theatre comedy about a bagpiper. In the cast are Baritone Daniel Schmutzhard as the Bohemian mood cannon and Kiandra Howarth as the eternally beloved Dorotka. Together with General Music Director Ainārs Rubiķis, they conquer hearts, the world—and the underworld!
22:15
»... drum sagt man's manchmal ungenau.«
Gespräch
mit Sopranistin Kiandra Howarth und Bariton
Daniel Schmutzhard, Moderation: Simon Berger
Daniel Schmutzhard, Moderation: Simon Berger
Komische Oper Festival
18:30
»Kinder, schafft Neues! – Verdis Falstaff als Neubeginn der Opera buffa«
Einführungsvortrag
mit Maximilian Hagemeyer, Dramaturg
Komische Oper Festival
19:30
Falstaff
Komische Oper Festival
Last time this season!
Grandiose joie de vivre comes together with a quest for meaning—Giuseppe Verdi’s last masterpiece, written when he was nearly 80, not only breathed new life into the genre of Italian opera-comedy, but spontaneously revolutionised the genre and brought it into the 20th century. Exceptional baritone and »stage animal« Scott Hendricks returns to the Komische Oper Berlin in the title role, while audience favourite Günter Papendell makes his debut as the aggrieved husband, Ford.
22:15
»Die Wissenschaft der Komödie und die Kunst, gut zu essen«
Gespräch
mit Barrie Kosky; Moderation: Maximilian Hagemeyer
Komische Oper Festival
14:00
»Glik, du bist gekumen tsu mir – Aspekte des Jüdischen im Theater von Barrie Kosky«
Einführungsvortrag
mit Ulrich Lenz, Chefdramaturg
Komische Oper Festival
15:00
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
Komische Oper Festival
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
18:30
»Glik, du bist gekumen tsu mir – Aspekte des Jüdischen im Theater von Barrie Kosky«
Einführungsvortrag
mit Ulrich Lenz, Chefdramaturg
Komische Oper Festival
19:30
Barrie Kosky's All-Singing, All-Dancing Yiddish Revue
Komische Oper Festival
Last time this season!
In a brilliant finale to his ten-year directorship, Barrie Kosky presents a roaring revue, opening an entirely new chapter of Yiddish culture, still largely unknown to audiences. Under the musical direction of Adam Benzwi and with choreographer Otto Pichler, long-time companions such as Dagmar Manzel, Katharine Mehrling, Max Hopp, Helmut Baumann, the Geschwister Pfister and Ruth Brauer-Kvam, together with members of the Ensemble and a small dance troupe, celebrate love, music—and also, just a bit, the artist Barrie Kosky.
22:30
»Zindele meyns – Mütter, Söhne und die andere Mischpoke«
Gespräch
mit Ruth Brauer-Kvam und Dominik Köninger; Moderation: Ulrich Lenz
Komische Oper Festival