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November 2021
19:00
Káťa Kabanová
(Káťa Kabanová)
Premiere
Internationally renowned soprano Annette Dasch interprets Leoš Janáček's masterful, claustrophobic portrait of a young woman in revolt against her circumstances. At the conductor’s podium, a rising star leads the production: Lithuanian conductor Giedrė Šlekytė. Director Jetske Mijnssen is a welcome returnee as well, taking a fresh look at the tragedy of an extraordinary female figure.
18:00
Anatevka
(Fiddler on the Roof)
In the East European shtetl of Anatevka, Jewish traditions are strictly observed! The milkman Tevje is struggling with precisely that. And with his God and the selfish loves of his three oldest daughters. In the end, the town is forced to flee from the anti-Jewish pogroms …Barrie Kosky’s celebrated production brings together the pains and joys of life, touching audiences with its humor and humanity. »You can really let yourself go and revel in this mightily entertaining production. There is wild dancing to the vigorous klezmers struck up by the orchestra of the Komische Oper under the conductorship of Koen Schoots.« [FAZ]
December 2021
19:30
The Magic Flute
Tamino in the belly of the dragon, the Queen of the Night as a giant spider, dancing constellations and flying butterfly boys – the fascination The Magic Flute exerts over both young and old audience members at the Komische Oper Berlin seems endless.
18:00
Káťa Kabanová
(Káťa Kabanová)
Internationally renowned soprano Annette Dasch interprets Leoš Janáček's masterful, claustrophobic portrait of a young woman in revolt against her circumstances. At the conductor’s podium, a rising star leads the production: Lithuanian conductor Giedrė Šlekytė. Director Jetske Mijnssen is a welcome returnee as well, taking a fresh look at the tragedy of an extraordinary female figure.
19:30
The Nose
In a mix of nightmare and zany, over-the-top satire, director Barrie Kosky stages tap-dancing noses, moving rickshaw tables and cartoonishly hyperbolic protagonists with gaudy costumes, somewhere between folklore and historicism, in a cool space that feels claustrophobic, despite its size
19:30
Orpheus in the Underworld
(Orphée aux enfers)
Premiere
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.
19:30
Káťa Kabanová
(Káťa Kabanová)
Internationally renowned soprano Annette Dasch interprets Leoš Janáček's masterful, claustrophobic portrait of a young woman in revolt against her circumstances. At the conductor’s podium, a rising star leads the production: Lithuanian conductor Giedrė Šlekytė. Director Jetske Mijnssen is a welcome returnee as well, taking a fresh look at the tragedy of an extraordinary female figure.
19:00
Anatevka
(Fiddler on the Roof)
In the East European shtetl of Anatevka, Jewish traditions are strictly observed! The milkman Tevje is struggling with precisely that. And with his God and the selfish loves of his three oldest daughters. In the end, the town is forced to flee from the anti-Jewish pogroms …Barrie Kosky’s celebrated production brings together the pains and joys of life, touching audiences with its humor and humanity. »You can really let yourself go and revel in this mightily entertaining production. There is wild dancing to the vigorous klezmers struck up by the orchestra of the Komische Oper under the conductorship of Koen Schoots.« [FAZ]
11:00
The Magic Melodica
Pamina is sick of cleaning up after Tamino's dragons; The Queen of the Night has a beard; The universally unpopular melodica serves as the magical instrument, and the no less unpopular Monostatos turns out to be the real hero.—With wit, humour and a hint of fun, renowned Finnish jazz pianist Iiro Rantala and Finnish bestselling author Minna Lindgren have written a sequel to The Magic Flute. No previous knowledge of the original is necessary!
19:30
The Magic Flute
Tamino in the belly of the dragon, the Queen of the Night as a giant spider, dancing constellations and flying butterfly boys – the fascination The Magic Flute exerts over both young and old audience members at the Komische Oper Berlin seems endless.
19:30
The Nose
In a mix of nightmare and zany, over-the-top satire, director Barrie Kosky stages tap-dancing noses, moving rickshaw tables and cartoonishly hyperbolic protagonists with gaudy costumes, somewhere between folklore and historicism, in a cool space that feels claustrophobic, despite its size
16:00
Orpheus in the Underworld
(Orphée aux enfers)
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.
11:00
The Magic Melodica
Pamina is sick of cleaning up after Tamino's dragons; The Queen of the Night has a beard; The universally unpopular melodica serves as the magical instrument, and the no less unpopular Monostatos turns out to be the real hero.—With wit, humour and a hint of fun, renowned Finnish jazz pianist Iiro Rantala and Finnish bestselling author Minna Lindgren have written a sequel to The Magic Flute. No previous knowledge of the original is necessary!
19:00
Anatevka
(Fiddler on the Roof)
In the East European shtetl of Anatevka, Jewish traditions are strictly observed! The milkman Tevje is struggling with precisely that. And with his God and the selfish loves of his three oldest daughters. In the end, the town is forced to flee from the anti-Jewish pogroms …Barrie Kosky’s celebrated production brings together the pains and joys of life, touching audiences with its humor and humanity. »You can really let yourself go and revel in this mightily entertaining production. There is wild dancing to the vigorous klezmers struck up by the orchestra of the Komische Oper under the conductorship of Koen Schoots.« [FAZ]
19:30
Orpheus in the Underworld
(Orphée aux enfers)
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.
11:00
The Magic Melodica
Pamina is sick of cleaning up after Tamino's dragons; The Queen of the Night has a beard; The universally unpopular melodica serves as the magical instrument, and the no less unpopular Monostatos turns out to be the real hero.—With wit, humour and a hint of fun, renowned Finnish jazz pianist Iiro Rantala and Finnish bestselling author Minna Lindgren have written a sequel to The Magic Flute. No previous knowledge of the original is necessary!
19:30
The Magic Flute
Tamino in the belly of the dragon, the Queen of the Night as a giant spider, dancing constellations and flying butterfly boys – the fascination The Magic Flute exerts over both young and old audience members at the Komische Oper Berlin seems endless.
19:30
Orpheus in the Underworld
(Orphée aux enfers)
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.
19:30
Anatevka
(Fiddler on the Roof)
In the East European shtetl of Anatevka, Jewish traditions are strictly observed! The milkman Tevje is struggling with precisely that. And with his God and the selfish loves of his three oldest daughters. In the end, the town is forced to flee from the anti-Jewish pogroms …Barrie Kosky’s celebrated production brings together the pains and joys of life, touching audiences with its humor and humanity. »You can really let yourself go and revel in this mightily entertaining production. There is wild dancing to the vigorous klezmers struck up by the orchestra of the Komische Oper under the conductorship of Koen Schoots.« [FAZ]
18:00
The Flower of Hawaii
(Concert production)
Premiere
The South Seas, jazz and vows of love! In his greatest success, Paul Abraham brings together everything the operetta heart desires: an absurd story about the American occupation of Hawaii, exotic and jewels of song and three pairs of lovers who end up happily in each other's arms thanks to the active participation of German theater icon Katharina Thalbach and the musical star Jörn-Felix Alt of Roxy and her Dream Team.
19:30
Orpheus in the Underworld
(Orphée aux enfers)
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.
11:00
The Magic Melodica
Pamina is sick of cleaning up after Tamino's dragons; The Queen of the Night has a beard; The universally unpopular melodica serves as the magical instrument, and the no less unpopular Monostatos turns out to be the real hero.—With wit, humour and a hint of fun, renowned Finnish jazz pianist Iiro Rantala and Finnish bestselling author Minna Lindgren have written a sequel to The Magic Flute. No previous knowledge of the original is necessary!
17:00
The Magic Melodica
Pamina is sick of cleaning up after Tamino's dragons; The Queen of the Night has a beard; The universally unpopular melodica serves as the magical instrument, and the no less unpopular Monostatos turns out to be the real hero.—With wit, humour and a hint of fun, renowned Finnish jazz pianist Iiro Rantala and Finnish bestselling author Minna Lindgren have written a sequel to The Magic Flute. No previous knowledge of the original is necessary!
19:30
Káťa Kabanová
(Káťa Kabanová)
Internationally renowned soprano Annette Dasch interprets Leoš Janáček's masterful, claustrophobic portrait of a young woman in revolt against her circumstances. At the conductor’s podium, a rising star leads the production: Lithuanian conductor Giedrė Šlekytė. Director Jetske Mijnssen is a welcome returnee as well, taking a fresh look at the tragedy of an extraordinary female figure.
19:30
Orpheus in the Underworld
(Orphée aux enfers)
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.
17:00
Káťa Kabanová
(Káťa Kabanová)
Internationally renowned soprano Annette Dasch interprets Leoš Janáček's masterful, claustrophobic portrait of a young woman in revolt against her circumstances. At the conductor’s podium, a rising star leads the production: Lithuanian conductor Giedrė Šlekytė. Director Jetske Mijnssen is a welcome returnee as well, taking a fresh look at the tragedy of an extraordinary female figure.
11:00
The Magic Melodica
Pamina is sick of cleaning up after Tamino's dragons; The Queen of the Night has a beard; The universally unpopular melodica serves as the magical instrument, and the no less unpopular Monostatos turns out to be the real hero.—With wit, humour and a hint of fun, renowned Finnish jazz pianist Iiro Rantala and Finnish bestselling author Minna Lindgren have written a sequel to The Magic Flute. No previous knowledge of the original is necessary!
19:30
Anatevka
(Fiddler on the Roof)
In the East European shtetl of Anatevka, Jewish traditions are strictly observed! The milkman Tevje is struggling with precisely that. And with his God and the selfish loves of his three oldest daughters. In the end, the town is forced to flee from the anti-Jewish pogroms …Barrie Kosky’s celebrated production brings together the pains and joys of life, touching audiences with its humor and humanity. »You can really let yourself go and revel in this mightily entertaining production. There is wild dancing to the vigorous klezmers struck up by the orchestra of the Komische Oper under the conductorship of Koen Schoots.« [FAZ]
16:00
The Magic Melodica
Pamina is sick of cleaning up after Tamino's dragons; The Queen of the Night has a beard; The universally unpopular melodica serves as the magical instrument, and the no less unpopular Monostatos turns out to be the real hero.—With wit, humour and a hint of fun, renowned Finnish jazz pianist Iiro Rantala and Finnish bestselling author Minna Lindgren have written a sequel to The Magic Flute. No previous knowledge of the original is necessary!
19:30
Orpheus in the Underworld
(Orphée aux enfers)
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.
19:00
Anatevka
(Fiddler on the Roof)
In the East European shtetl of Anatevka, Jewish traditions are strictly observed! The milkman Tevje is struggling with precisely that. And with his God and the selfish loves of his three oldest daughters. In the end, the town is forced to flee from the anti-Jewish pogroms …Barrie Kosky’s celebrated production brings together the pains and joys of life, touching audiences with its humor and humanity. »You can really let yourself go and revel in this mightily entertaining production. There is wild dancing to the vigorous klezmers struck up by the orchestra of the Komische Oper under the conductorship of Koen Schoots.« [FAZ]
19:30
The Flower of Hawaii
(Concert production)
The South Seas, jazz and vows of love! In his greatest success, Paul Abraham brings together everything the operetta heart desires: an absurd story about the American occupation of Hawaii, exotic and jewels of song and three pairs of lovers who end up happily in each other's arms thanks to the active participation of German theater icon Katharina Thalbach and the musical star Jörn-Felix Alt of Roxy and her Dream Team.
18:30
Orpheus in the Underworld
(Orphée aux enfers)
Shameless, funny and cheeky! In Barrie Kosky's wildly acclaimed production at the 2019 Salzburg Festival, the first Offenbach operetta in the festival’s nearly 100-year-long history, grandiose Mythological Travesty joins an enthusiastic ensemble of the highest caliber. Led by the inimitable Max Hopp as John Styx, who lends his speaking voice to each figure on stage, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter plunge into a gaudy, impudent, and hellish underworld.